A self-organized feminist theatre collective of Generation Z artists, rooted in China and working between China and the UK.
They devise their own performances and develop socially engaged projects that bring together non-professional participants, generating critical reflection on issues of gender inequality, women’s labor and care, and precarious conditions of mobility in contemporary society.
They identify with the figure of anonymous witches as a collective position of imagination, care, and transformative power.
Our first socially engaged theater project, The Legend of Nüwa in the New Century, draws on the myth of Nüwa, the Chinese goddess of creation, to critically examine contemporary motherhood, women’s reproductive rights, undervalued care work, and gender inequality. Rather than treating motherhood as a private or naturalized condition, the project situates it within broader social, economic, and institutional structures. Read through a contemporary lens, this female creation myth poses a critical question: what kinds of labor, care, and responsibility are borne by women today, and how do historical imaginaries of creation and motherhood continue to shape—and obscure—these realities in the present?
The ongoing project includes the theater piece What? She, a mother?, the documentary theater project The Portrait of a Mother, the collaborative community theater project From Morning To Night, and a series of workshops for people who identify as women. Through these interconnected formats, the project creates spaces for women’s lived experiences to be shared, witnessed, and collectively reflected upon, foregrounding theater as a practice of social care and communal engagement.
Food is not merely essential for survival. In Chinese culture, eating is understood as living itself—not only on a physical level, but also emotionally and spiritually. We care about whom we eat with, what we eat, and who has devoted time and effort to prepare it. Inspired by these migrant women, with their abundant knowledge and wisdom of food, and informed by our own experiences of constantly moving between cities and countries, learning to care for ourselves through cooking and eating, we began to focus specifically on the relationship between food and care.
WhichWitch is formed by four core members and works in collaboration with interdisciplinary artists across different projects.